{"id":892,"date":"1999-11-20T11:02:37","date_gmt":"1999-11-20T10:02:37","guid":{"rendered":"http:\/\/d32767810.u339.surf-town.net\/blog\/?p=892"},"modified":"2014-10-04T13:33:59","modified_gmt":"2014-10-04T12:33:59","slug":"peak-performance-1999-malmo","status":"publish","type":"post","link":"http:\/\/tn.nyaperspektiv.se.linux341.unoeuro-server.com\/?p=892","title":{"rendered":"Peak Performance (1999) Malm\u00f6"},"content":{"rendered":"

\"peak_performance_interi\"<\/a>painted by children in the age 3-6 years<\/em><\/p>\n

Installation with:<\/em>
\nChildren’s paintings, the sound from a grasshopper,
\nlow pressure sodium light and IR controlled strobes.<\/p>\n

Exhibit: In the group exhibition: ‘Kaduns’
\ncoordinated by Malm\u00f6 Art Academy, Malm\u00f6 Music Academy and Artist Doug Ischar, Chicago, UIC.
\nLocation: Peep Gallery, Rooseum (now closed), Malm\u00f6, Sweden<\/p>\n

Notes:<\/em>
\nIn the autumn of 1999 I recorded the sound from a grasshopper in \u00a0the countryside of Malm\u00f6. \u00a0The sound appealed to me in the various meanings of destroyed or undestroyed and artificial or natural. The children’s paintings became an opposite element to the low pressure sodium light that only has a peak in the spectrum of 589.0nm – 589.6nm producing a monochrome environment. I wanted to keep the age of the children quite low as an indexical element of their positive interests in colour and composition. The strobes acted as a link between the paintings, light and the sound.<\/p>\n