Category Archives: Conceptual Works

Kronometriskt Kontinuum del 1 (2024)

Kronometriskt Kontinuum del 1 (2024)

1140,7 x 2313,3 mm

Bläck på papper
edition 1/3

Riktat acykliskt grafdiagram över tider på digitala klockor med siffor nedskrivna i kronologisk ordning med respektive relation till nästkommande nedskrivna klockslag. 

Från ett ursprungligt dataset på 3004 enheter som är insamlade på ett tidsspann av ett år och tre månader är detta verk skapat av en del av detta dataset. 

Chronometric Continuum part 1 (2024)

1140.7 x 2313.3 mm

Ink on paper
edition 1/3

Directed acyclic graph diagram of times observed on digital clocks, written down in chronological order with their respective relation to the next recorded time.
From an original dataset of 3004 entries collected over a span of one year and three months, this work is created from a subset of that dataset.


Visas på ArtFairEpsilon – 3-18 augusti på Västerås Konsthall:
Vernissage lördag 3 Augusti 12-16

Sturegatan 12, 72213 Västerås
tisd-fred 12-17
lörd-sönd 12-16

Projected Presence (2022)

Permanent installation at Burträsk hembygdsförening

Site specific installation

Found objects on site:
Episcope projector lens
Dusty window
Metal thread
Old posters

My thoughts on this work circles around the necessity of past time for the understanding of the present and our presence in it.

Workings:
The lens mounted on the wall projects a camera obscura image onto the dusty window inside. Thanks to its historical dust on the window the image from the outside is realised when the lights is scattered on the dust of the surface. If the window had been new and clean no image would have been realised.

The projection works continuously without any other sources than the sunlight.

the episcope lens is mounted on the wall close to the roof
on the upper floor the room is dark but lighted up from the projection
Projected Presence (2022) visitors interact with the projection

realised at Tomma Rum Residence July-Aug 2022

opened at 30/7 2022 http://tommarum.se/

Message to 759 – the aesthetics of secrecy (2013)

installation with: video projection, radio transmission with recorded audio, shortwave radio, loudspeaker, various objects, photography

exhibited at: Galleri K, Västerås

Concrete privacy in the public space
The work Legoland uses radio as its medium, also the work focuses on various aspects of numbers and communication methods within clandestine operations such as number stations or secret intelligence services the name is taken from the nickname of MI6 building in London. The audio material for the performance has been collected from various radio receivers around Europe, North America, and Asia.


exhibit overview

Broadcasting secret messages into air is a peculiar activity, since it’s indeed shared in a public space. Hence everyone could in practice tune in the actual frequency and listen to it. However, there is only one kind of listener that could decrypt the message (for i.e. special number stations) due to a simple but efficient and unbreakable method using only a paper and a pen.


video still, footage from short-wave radio spectrum analysis. Actual broadcasting spy station is in the middle position and beginning of its broadcast. 

message_to759-photo-on-wall-medphotograph

The benefits of still using radio today has the advantage of the impossibility to trace the listener in contrast to the use of computers where everything has traces of IP numbers, logs and hard-drives. Radio waves are difficult to stop and in every moment of time waves are passing borders and through people. The history of these broadcasts are to be traced back to the beginning of the radio medium itself making them the first public broadcast ever transmitted. The transmissions are unregistered and hence illegal to the FCC. Even though these type of transmissions had its peak in the cold war, they can still be heard. Some has changed its behavior to digital mode (which still is made up of numbers).

vlcsnap-2014-10-03-21h32m44s107video still, a typical vintage spy recording device, Nagra SN

Power and secrecy
For the work Legoland there are aesthetic issues in the documentary material, an utterly concrete world of privacy. High strangeness and very few answers, though the material has a powerful character. Questions unfold. Power and secrecy. Why do power need secrets? The work

MG_8747MSG-FOR-759-VAS-medinstallation detail with shortwave radio on right

Gallery info sheet during exhibit (pdf, Swedish) >>>>>>>>>>>>

Video excerpt #1
notice that audio has two divided audio channels (mono left/right) this was used in the installation sending one mono channel to the small short-wave radio at the table and the other mono channel was sent to a loudspeaker on the wall

Click here to download Video excerpt #1

Video excerpt #2  
notice that audio has two divided audio channels (mono left/right) this was used in the installation sending one mono channel to the small short-wave radio at the table and the other mono channel was sent to a loudspeaker on the wall

Click here to download Video excerpt #2

LEGOLAND (2012) Documenta 13, Kassel

performance with various old portable spy gear, battery powered radio transmission, radio scanning and writing

Other minds pavilion – dokumenta 13, Kassel, Germany
Performance date 26 July 2012

DSCN8181a Nagra SN was used in the performance playing the artists own recordings from contemporary spy stations on the shortwave band from various activities from the recent years. Some spy station recordings were only 2 weeks old.

Sound collage with own recordings of various number and clandestine radio transmissions plays at radio transmission through common portable radios during performance:

Concrete privacy in the public space
The work Legoland uses radio as its medium, also the work focuses on various aspects of numbers and communication methods within clandestine operations such as number stations or secret intelligence services the name is taken from the nickname of MI6 building in London. The audio material for the performance has been collected from various radio receivers around Europe, North America, and Asia.


DSCN8209

Broadcasting secret messages into air is a peculiar activity, since it’s indeed shared in a public space. Hence everyone could in practice tune in the actual frequency and listen to it. However, there is only one kind of listener that could decrypt the message (for i.e. special number stations) due to a simple but efficient and unbreakable method using only a paper and a pen.

e06-april30-2011-0030utc

The benefits of still using radio today has the advantage of the impossibility to trace the listener in contrast to the use of computers where everything has traces of IP numbers, logs and hard-drives. Radio waves are difficult to stop and in every moment of time waves are passing borders and through people. The history of these broadcasts are to be traced back to the beginning of the radio medium itself making them the first public broadcast ever transmitted. The transmissions are unregistered and hence illegal to the FCC. Even though these type of transmissions had its peak in the cold war, they can still be heard. Some has changed its behavior to digital mode (which still is made up of numbers).

DSCN8178-med