Category Archives: Audio

LEGOLAND (2012) Documenta 13, Kassel

performance with various old portable spy gear, battery powered radio transmission, radio scanning and writing

Other minds pavilion – dokumenta 13, Kassel, Germany
Performance date 26 July 2012

DSCN8181a Nagra SN was used in the performance playing the artists own recordings from contemporary spy stations on the shortwave band from various activities from the recent years. Some spy station recordings were only 2 weeks old.

Sound collage with own recordings of various number and clandestine radio transmissions plays at radio transmission through common portable radios during performance:

Concrete privacy in the public space
The work Legoland uses radio as its medium, also the work focuses on various aspects of numbers and communication methods within clandestine operations such as number stations or secret intelligence services the name is taken from the nickname of MI6 building in London. The audio material for the performance has been collected from various radio receivers around Europe, North America, and Asia.


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Broadcasting secret messages into air is a peculiar activity, since it’s indeed shared in a public space. Hence everyone could in practice tune in the actual frequency and listen to it. However, there is only one kind of listener that could decrypt the message (for i.e. special number stations) due to a simple but efficient and unbreakable method using only a paper and a pen.

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The benefits of still using radio today has the advantage of the impossibility to trace the listener in contrast to the use of computers where everything has traces of IP numbers, logs and hard-drives. Radio waves are difficult to stop and in every moment of time waves are passing borders and through people. The history of these broadcasts are to be traced back to the beginning of the radio medium itself making them the first public broadcast ever transmitted. The transmissions are unregistered and hence illegal to the FCC. Even though these type of transmissions had its peak in the cold war, they can still be heard. Some has changed its behavior to digital mode (which still is made up of numbers).

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Best in Show (2007) Norrby, Sala

four channel sound installation, photography and video + event

Norrby church (Sala)
exhibition project “Sjätte Sinnet” (Sixth Sense), Swedish Church


pair4_black_whiteLUntitled, photograph Digital I-Print placed in the organ

a Hidden Third Person
For this project I was interested to investigate the symbolism of the dove/pigeon used in the jewish/christian tradition. In many ways the dove can represent the silence and femine aspects of the Holy Spirit. The mother or something that balances the male/female duality. Its not hard to link the symbol to similar gods as the holy Maria and i.e. Isis
The dove as peaceful holy, fluffy inter- or hyper existence comes almost to its ubiquitous hiddenness.

Stereo mix down version (from 4 channels) of installation audio:


sixth_sense_pigeons_release2Pigeons released at the opening

If you breed a dove and it borns at one location it will always go back to this location. Is this the same with religion? If you are born into one religio cultural situation how easy is it to not return to its ethics and thinking?


Best_in_show_frame_movieStill frame from Video, Tibor Barcza and some of his awards.

In searching for breeders I found Tibor Barcza, living in Elsöv (Skåne). He breeds a special dove called Jacobin Pigeons and he has continued with this hobby for over 30 years. Tibor is a serious breeder and the difference between his hobby or as a profession is somewhat hard to distinguish.


organ2_pictInstallation detail, inside the organ


organ1_handInstallation detail, inside the organ

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Detail of installation

text available at the location, pdf >>>>>>>>

Project overall overview and setup of parameters scanned first 3 pages from the catalog >>>>>>>>>

Orion (2004) Västerås

two part sound, video and photo installation

Part 1 elements: 5.1 channel sound composition, 2 video projections.
The multi-channel composition was realised at EMS, Stockholm, 2003.

Part 2 elements: Recorded sounds from ice, five light box printed photographs, steel wire, psalm books, lamps.

shown at the Perspectives 2004, festival for creative music, Västerås, 21-24 October 2004

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Lychopodium_Orion2006stillCvideo stills from part 1.

Audio:

PART 1 Location: Culturen, Västerås, Box 2

PART 2 Location: Västerås Cathedral

 

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orion_ka_vas2installation view, Västerås Cathedral

Background
The work originated from photographic materials taken at several ice covered creeks in Stockholm during the years 1995-1997.

The cosmology in the shape of the ice, and the method of photographing the segments were some of the starting-points.

The piece includes sounds from recorded ice, a sound composition, and video footage from sound affecting a fine powder on a black screen.

Exhibition info sheets:
Part 1 pdf English >>>>>>>
Part 1 pdf Swedish >>>>>>>>>

Part 2 pdf English >>>>>>>>
Part 2 pdf Swedish >>>>>>>>>

Peak Performance (2002) Umeå

Installation with:
Children’s paintings,
the sound from a grasshopper,
low pressure sodium light and
IC controlled strobes (revised element for this exhibit).
Constructed walls (for inner room)

Gallery 60 Umeå, 2002

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Reflections:
In the autumn of 1999 I recorded the sound from a grasshopper in the countryside of Malmö. The sound appealed to me in the various meanings of destroyed or undestroyed and artificial or natural. The children’s paintings became an opposite element to the low pressure sodium light that only has a peak in the spectrum of 589.0nm – 589.6nm producing a monochrome environment. I wanted to keep the age of the children quite low as an indexical element of their positive interests in colour and composition. The strobes acted as a link between the paintings, light and the sound.

Umeå 2002, Documentation movie from the show

will be available soon from youtube

Introduction text avaliable at the exhibit, pdf >>>>>>>>
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Girl in action, painting grashoppers or insects

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when flashes went occationally on it looked like this above


Peak_Performance_docu_insiMmostly it looked like this above (when flashes were off)

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Boy in front of camera, in the background his own drawing

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Girl in action, painting spiders

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The Space (the inner room inside the gallery space)

outside
outside Gallery 60 (the sodium light was on 24 hours)

 

Thanks to:
all at Sandbacken’s day nursery, Umeå!
special thanks to Jan Norlin
Philips Light Sweden

The continuum of Time/Tidens Gång (2002)

Installation and performance with: Four channel sound installation with water sounds, chlorine smell, performance (sweeping the floor, acting as a swimming-pool attendant), floating lines, bathing toys. (site specific)

exhibited: VLT press, Västerås, Time limited exposure, commissioned

”The illimitable, silent, never-resting thing called Time, rolling, rushing on, swift, silent, like an all-
embracing ocean-tide, on which we and all the universe swim like exhalations, like apparitions which
are,and then are not: this is forever very literally a miracle; a thing to strike us dumb, for we have no
word to speak about it.” Thomas Carlyle (1795 –1881)

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Play and fluidity
This event and sound installation was a commissioned work for VLT-Press in their new large space for their large daily paper press.  The flow character of the industry in printing daily papers was taken into consideration when hanging the long floating lines.

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Typical smell and watch out!
I cleaned the floor with a slight dilution of chlorine used in swimming pools during exhibit. I warned people to not go so close to the blue fictive pools and blowing in a whistle.

Text available during the exhibit (Swedish) pdf  >>>>>

This work was curated by Joachim Granit, Färgfabriken

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